Direction
Performance, atmosphere, visual language, and a clear path from the first idea to the final frame.
Practice / ways to work together
Concept to camera.
One visual language.
Director and Cinematographer for work that needs atmosphere, precision, and a little danger in the frame.
Freelance Camera Operator and Videographer creating cinematic visuals for brands, artists, productions, and places.
Cinematography
Light, lensing, movement, and coverage designed as one system—not a layer added after the idea.
Director + DP
One visual point of view across concept and camera for nimble productions that benefit from a unified lead.
Camera Operator
A calm, responsive eye on set, joining an established camera team or carrying the frame through an agile shoot.
Videography
Agile production for brands, artists, teams, and places that need a considered image without a heavy footprint.
Documentary and interview coverage
Patient coverage that makes space for real voices, natural movement, and the detail around a conversation.
Commercial and branded content
Cinematic campaign work with texture, intention, and a system that holds across hero films and cutdowns.
Music videos and performance coverage
Rhythm-aware images that protect the artist’s presence and make the world around them feel alive.
Event coverage
Discreet, atmospheric coverage that catches the energy of the room without flattening it into a recap.
Social-first vertical video
Purpose-built 9:16 capture with framing and movement designed for the feed from the start.
Editing and short-form delivery
Tight selects, cutdowns, and finishing that keep the visual point of view intact after the shoot.
Still photography and still life
Street, portrait, object, and still-life images with the same attention to material, light, and tension.
Travel and destination films
Location-driven films shaped by movement, architecture, street life, natural light, and local detail.
Working method
Prepared enough
to stay open.
A practical process, built to protect the feeling of the work and make the shoot move cleanly.
01
Find the nerve
Clarify the audience, the feeling, the deliverables, and the one thing the piece cannot lose.
02
Build the visual rules
Performance, location, light, palette, movement, and coverage become one practical frame plan.
03
Make space on set
Prepared, calm, and responsive—so the people inside the image can do something real.
04
Protect the point of view
From selects through cutdowns and short-form delivery, the same visual logic stays intact.
Tools / never the idea
Glass with a memory.
Cameras that move.
The kit is modular and project-dependent. Texture comes first; the logo on the body comes second.
01Z CAM E2-M402Sony A7R II03Vintage Canon FD lenses042x anamorphic glass
Have a brief / or just a feeling